Chapter 60
Behind The Spotlight Chapter 60
The terms and conditions between both parties didn't differ much from the usual, which made the contract process smoother than expected. Wyatt didn't have any specific demands, he only requested a decent trailer and a nice mocha to relax in during filming breaks so he could recharge on long production days.
As for Uni-versus Pictures, they insisted on having the right to create their own version of the final cut if Wyatt's edit didn't meet their standards for quality and marketability. They acknowledged Wyatt's proven skills in editing The Accidental Wedding Crashers, and while they trusted his ability, they wanted a safety net in case post-production adjustments became necessary.
Of course, they couldn't reduce Wyatt's salary if his final cut didn't pass their criteria. That clause had already been negotiated out of the contract, something Collin ensured before Wyatt signed anything.
While most people were busy preparing for the holidays, decorating homes, shopping for gifts, and booking hotels for vacation, Collin, Wyatt, and Henry spent the four days working nonstop to finalize the deal.
On December 24, 1995, just one day before Christmas, the contract was officially signed by both parties after several hours of discussion and legal review.
Henry secured his own deal, earning $4 million as the movie's producer, which he considered more than fair. With his credentials and experience, no reason to doubt his value.
As for Wyatt, Collin successfully negotiated a $5 million base salary and a 5% North American box office share, a significant win for a director of his age and background. Naturally, Collin received a 10% commission from the $5 million and an additional $500,000 from the box office share agreement, as per their prior arrangement.
With that, Week On A Cruise Ship officially began its pre-production journey.