Chapter 505: The Story of Su Beiming_1
The barrier on the Wind, Moon, Flowers, and Birds Painting is recorded in the Grand Supreme Taoist Scripture. Unless one practices the scripture, they would find it extraordinarily difficult to break.
Su Chengyu channels his Mana into the painting. The painting gleams and unfurls automatically mid-air, emanating a faint radiance.
The painting’s motifs change as well. Originally, it was an ink landscape depicting autumn in its melancholy glory.
Now, it has transformed into a landscape painting. On taking a closer look, Su Chengyu sees that the mountains and water in the painting are vibrantly lifelike. A vortex halo then appears on the painting, similar to the entrance of Liyuan Cave Heaven.
Su Chengyu takes a leap and enters. The world he finds himself in is full of the chirping of birds, fragrant flowers, luxuriant trees, verdant mountains, and the gentle gurgling of water. A waterfall cascading down the mountains forms a beautiful rainbow.
"Isn’t this the same scenery from the painting?"
Upon closer examination, Su Chengyu realizes that he is indeed standing in the very landscape depicted on the painting.
He has entered the world within the painting, leaving him utterly dumbfounded by the marvel.
He walks through the meadow and sees a pavilion and a few bamboo houses. Behind these structures is a lush bamboo forest.
He finds a compass on the pavilion’s table, which was his grandfather’s, an instrument he used during fortune-telling. It was a relic left behind by his grandfather.
The moment Su Chengyu touches the compass, it starts rotating on its own, radiating bright light. Immediately afterward, an illusory figure emerges from the compass, his back turned to Su Chengyu.